Wednesday, November 5, 2014

Ö,Erdöben, The Wild Within

I have an exhibition coming up! This one has been many months in the making and many, many more in the mind!

Join me for a drink on Saturday November 29 at Manyung Gallery, Mount Eliza.

“We are all filled with a longing for the wild. There are few culturally sanctioned antidotes for this yearning. We were taught to feel shame for such a desire. We grew our hair long and used it to hide our feelings. But the shadow of Wild Woman still lurks behind us during our days and in our nights. No matter where we are, the shadow that trots behind us is definitely four-footed.”

Clarissa Pinkola Estés, Ph. D
Women Who Run With the Wolves

This body of work is the amalgamation of inspiration drawn from the written work of Clarissa Pinkola Estes, personal experience and the resilience of many female creatures of the animal kingdom.

Pinkola Estes in her book Women Who Run with the Wolves talks about the female psyche by way of folk tales and draws on the inner animal we all possess. This inner animal - the wild within – enables the heroines in these traditional folk tales to emerge victorious on the other side of disaster, danger or despair.

The creative process of this work involves the meticulous and repetitious action of dotting the paper with tiny ink dots, a process which serves as a meditation of sorts, a time to harness the wild within. My technique echoes the patience and persistence required by the female creatures my subjects represent. I use these methods to convey a sense of gentle strength in my subjects who subtly hint at a deeper truth.

Sunday, June 29, 2014

Street art & copyright infringement

Earlier this year I was having a drink in a local Fitzroy bar when a brochure near the door caught my eye. There were two reasons for this 1. It was designed well, and being a designer I am apt to notice these things, but more importantly 2. it strongly featured a photograph of one of my paste ups.

For about half a second I felt flattered. Flattered changed to angered pretty fast and I couldn't understand why a designer would think it was OK to use an artists work like this. I understood that the paste up at the centre of this was in the neighbourhood of the apartments the brochure was advertising, but the work was so closely cropped that the local area had become irrelevant.


My work was pretty much the selling point here and I had no say in it whatsoever. It was something I would have never agreed to represent with my image.

Having not been in a situation like this before I asked around about what rights I had as an artist who puts their work on the street. The views on this were mixed and I sat in limbo for a while wondering if it was worth doing something about.

It wasn't until this article about copyright and street art was published by that I decided I was DEFINITELY within my rights to do something about the misuse of my work.

I decided to write a letter of demand to the developers of the apartments - asking that all images of my work be removed from their website and that I be compensated for the misuse of my image. I contacted Arts Law to make sure everything I had in the letter was correct and in order. They were extremely helpful - making sure I had worded everything correctly, that the sum of money I was asking for was within reason etc.

I sent the letter off and within a week I had a call from the design agency responsible. We talked at length about the situation. From their perspective they were trying to capture the vibrancy of the area (the inside of the fold out brochure featured a map and many images of the local area) and assumed that any work in a public space would be OK to use in this way. In actual fact, this is only true of permanent sculptures. It doesn't matter if the work is legal or illegal, signed or unsigned, it is an infringement of copyright to use images of an artists work for financial gain.

The design agency and I came to an agreement, I was compensated and even though it took quite a bit of my time to chase this up, I felt it was worth it.

I would encourage any artist who has had their work used without their permission to take a similar approach - stand up for your work and spread the word that this is not OK - from my experience most people are just not aware that it's wrong. (Except surely those people selling photos of street art at markets and ripping off artist's work and selling it on Redbubble, but that's a whole other story and these cases should definitely be pursued!)

And for those people wishing to use images of street art in their advertising - we are a pretty small community here in Melbourne and it's really not that hard to find out who artists are - local councils and local galleries are a good starting point for identifying and getting in touch with an artist whose image you may want to use. 

Saturday, November 16, 2013

Open Studio!

This coming Friday we are opening our studios to the public. Come along for that perfect Christmas present, or maybe just a snag and a drink!

Sunday, October 27, 2013

Innocence of the Apocalypse

A couple of years ago I saw the movie "The Road", a post a apocalyptic story about a boy and his father and their search for a better place in a world of poverty, depression, cannibalism and perpetual danger.

I felt moved by the child's character and the responsibility he was forced to take on in such a world - the only world he had ever known. Despite his maturity and his responsibilities he couldn't help but still be a child from time to time. This struck a cord with me and I was moved by his innocence.

My exploration of the theme of children in a post apocalyptic world began with a large hand drawn paste up, pasted in Collingwood in in 2012.

I then followed this with another large scale, hand drawn paste up in Brunswick - this time with more of an installation element.

After the large paste ups, I decided to focus on a smaller illustration so I could add more detail, this became the first illustration of the series as well as a very large paste up (photocopied this time and not hand drawn, in Toronto, Canada as part of Art de la Roo ).

After Art de la Roo, I began thinking more about this theme in relation to a space as opposed to being on the street. I was discussing this with projection artist Yandell Walton when we decided it would be a great theme to collaborate on. As artists our work is completely different, but we both have a strong interest in space as part of our work and this was the binding element for our collaboration.

I began working on 4 illustrations on paper which then became the 'static' children of our post apocalyptic world. 

Innocence of the Apocalypse went from illustrative paste ups to a completely immersive installation based collaboration. Projection, sound, installation, performance and illustration all came together in an empty building in Collingwood in September 2013.

Supported by the City of Yarra, Curvy and Kennards Hire and part of Melbourne Fringe the event was experience by approximately 350 people over 3 nights. Below is a beautifully shot video by Jim Arneman and detailed photographic documentation by Lauren Dunn
More at

Innocence Of The Apocalypse by Yandell Walton and I & The Others from Yandell Walton on Vimeo.

Friday, May 17, 2013


Fan art is not usually my thing but when I saw the callout for Artboy Gallery's Ladies Night show, celebrating the women of pop culture I thought it would be a good excuse to see if I could get the likeness of someone spot on. Kate Moss was a fresh faced up and coming model when I was in my teens and I wanted to reference the perceived innocence of her youth at the start of her career.

It was not as much difficult as it was time consuming, most of the illustration is created with tiny ink dots. The hair was a new challenge, but the hardest part was getting the shading of the body covered with a .03 nib!

Ladies Night opens at Artboy on Friday the 23rd of May at 6pm, 99 Greville St Prahran.

Paper Crown

I've been enjoying playing with this illustration to create varied paste ups, might be time for a new one soon...

Thursday, January 17, 2013

The girl in the shorts

This piece has been in the making for a while and I'm so glad to finally finish her. With this much detail, mostly created by small dots, it's really hard to know when to stop...